pop_zombie

Shameless Self-Promo: “2012 Pop Robot (Summer Mix)” by Panda Sanchez

As some of our readers may know, Panda Sanchez is the budding music project of In Harsh Light editor Richard Sanchez and writer/musician Tayne Kim. We’ve been hard at work crafting our dilettante, freshman EP to accompany our nosedive into DC’s live performance scene (see below for show dates). In particular, we’re opening for the up-and-coming metal/post-punk band Gracias, Pero No Gracias at the Velvet Lounge in DC on July 25th, 2012.  Wish us luck — and, if God willing, attend, kick back with a beer (or five), and enjoy some local indie music.

Continue reading

white_blush

Track Awareness: “Without You” by White Blush

10

As a musician, I’m often taken aback by the raw talent of budding artists that sprout their butterfly wings into the collective digital consciousness of the Web.  And as intimidating as newcomer recording artist Carol Rhyu’s work may be, I’m thrilled that she contacted me with the release of her debut single, “Without You” (produced by John Ho) — embedded below for your melancholic listening pleasure (’cause every Thursday afternoon needs a somber listening experience curated by someone that’s admittedly “read too much Nietzsche and Schopenhauer in college”).

Continue reading

bloom

Review // Beach House: Bloom

In a recent interview with Pitchfork‘s Jenn Pelly, Beach House multi-instrumentalist Alex Scally revealed his frustration with the changing ways in which we listen to music:

“A lot of people listening to music now don’t listen to the songs or lyrics at all. They just go, “Good tones…” and that’s it. But we’re obsessed with songs. Sometimes, I feel like people aren’t listening to our songs, they’re just listening to the sound. “

Scally’s chagrin can be viewed as a gripe with twenty-first century music as a whole. In an age where music is both easily accessible and easily dismissed, the dual arts of album structure and song writing have been lost amongst many artists.  Taking this into consideration, Beach House, a Baltimore-based dream pop duo, can be seen as traditionalists in the world of modern indie music. Over the course of four albums, including 2010′s sonic opus Teen Dream, the Beach House sound has remained steady, slowly improving with thoughtful refinements.

Continue reading